The MacEddyRaymonds, Part 2

When we left off, Gene and Jeanette had just gotten engaged. Their engagement was formally announced August 20, 1936.

Maytime started production that same week, the third co-starring vehicle for Jeanette and Nelson. Without delving too much into why Maytime was in production for such a long while, suffice to say there were basically two versions of the film—Irving Thalberg was heavily involved the first one, but then he died, so they pretty much scrapped the whole thing, changed the story, changed a lot of the cast and tried again.

So here they are at some sort of rehearsal/script meeting for the first Maytime. Jeanette had JUST announced her engagement to Gene and look at these faces:

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That’s the thing that’s so cool about these guys—there is always SOMETHING going on…sometimes they look like they need to get a room, sometimes they look like they hate each other, but never is there nothing going on.

Nevertheless, as the director talks to them on the set sometime after this picture was taken, you see where their hands are….

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She’s marrying somebody else, they’ve screwed themselves over in the way they’ve handled things (but it is NOTHING compared to how much more screwed over they would eventually get) …and yet they are still sitting here, obviously not happy, but holding hands. Because they love each other, people. In spite of everything and through it all, for the rest of their lives. And here they are in a private candid moment on the same set:

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So, once again, they become a couple–engagement or not. By the time the original Maytime was scrapped and the “second version” was beginning, there was a distinctly different tone in their candid pictures on the set. For instance, here is probably one of the most telling candid pictures EVER of them:

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She’s sitting on his lap, guys. His arm is around her. They are holding hands and talking and neither of them is looking at the camera. WHAT COULD THIS POSSIBLY MEAN??????

And another, in a lighthearted vein. Robert Montgomery visits the set, and Jeanette can only pay attention to Nelson’s antics behind him:

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But Maytime was a real struggle for our twosome, emotionally. The duet Will You Remember was a damn nightmare. They couldn’t get it in the can without one or both of the stars becoming emotional. Finally, in desperation, “Pop” Leonard told Nelson to look at the tree–if you watch the duet, you can see that he, at times, does just that, and doesn’t look at her face. Here is a picture of Jeanette trying to pull herself together during the emotional filming of that sequence:

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This is not the only candid picture that shows her with a crumpled Kleenex in her hand, either. At the end of that sequence, I would be remiss if I didn’t note that that kiss was “juicy” enough for the now-infamous Maytime Spit String to occur:

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Bahahahahahaha. Sorry, this post was making me sad. Nothing like lightening the mood with a little MacSpit.

When they shot the Czaritza sequence, our dear Nelson was a hot mess, and the clarity of the Warner Archive DVD lends itself to the finding of ManTears. You see, she was willing to call off her engagement, but it was very public (Hollywood’s answer to the recent Royal Wedding, don’tcha know) and so that was a big fat No Can Do from the front office. There’s more to that, which I will explore in Part 3. So they were in love and screwed. Story of their lives. Here is the “wooden” Eddy being quite emotional (thanks to Kitty for the capture of this excellent find!):

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She sees it, too. This is the moment right before she reaches up and strokes the back of his head. You know—either Nelson was a REALLY REALLY GREAT WAY ABOVE AND BEYOND AWESOME ACTOR…………….or he wasn’t. Just as in the opera sequence he’s singing, he’s in love with this girl and he knows he’s going to lose her and it’s beyond his control. Worst feeling in the world? Yeah, probably.

One more candid from the set of Maytime, this time thanks to Angela:

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Hand on her back/the back of her chair, just resting there because he likes to touch his girlfriend a lot.

Coming up in Part 3: the wedding looms closer, and we will explore some attempted negotiations to call it off, as well as analyzing some extremely telling notes, handwritten by Jeanette, that deal with this time in her life.

For those of you who don’t think there’s anything to see here….please get your eyes checked. In all seriousness, if all I do with this blog is make you QUESTION what you’ve been told by some old crusty politically correct fan club…I’m doing my job.

I’ll be back!

 

The MacEddyRaymonds, Part 1

Hi again.

Took a day off to write a chapter of the fiction novel I’m also working on, but alas, I returned, just as annoyed as ever that people are still being thick about the Eddy and the Mac.

So. Jeanette and Gene Raymond. Where does one, like, even start? On a doorstep? Well, if we’re to believe the much-publicized version of events, that’s how they met. On a doorstep, at a party. Apparently she got there before he did. He whistled. She turned around (oh, lord, J-Mac), subsequently they introduced themselves to each other (“I’m Jeanette MacDonald.” ….Cool story, I’m sure he’d never have known that.) and when the hostess opened the door, “Oh, how nice of you to come together!” Great.

So, they sort of started hanging out. They both liked to ride. They both liked to dance and socialize. Jeanette was approximately 47 times cooler than Gene on the Hollywood Social Ladder and so having her as a convenient way to get to all the good parties must have been super awesome. He played that card for a good twenty-some years more, until she got fragile and not so cool anymore and not so good for those party invites and then she got ignored and neglected and didn’t even have a phone in her bedroom and didn’t have a nurse for two weeks between having a nurse and going to Texas on a goddamn commercial plane (WHAT THE FUCK GENE RAYMOND. SERIOUSLY. PUT THE WOMAN ON A PRIVATE FLIGHT SO PEOPLE DON’T, YOU KNOW, AUTOGRAPH SEEK WHILE SHE’S OVER HERE TRYING TO DIE.)  to die in a hospital awaiting the surgery she should have had months before. But we’ll get to that later. Let’s actually stick, for now, to the time of life when I don’t want to strangle Gene with my bare hands!

So there they are. Hanging out. Casually dating. Why is Jeanette even on the market for a man at this point? After Naughty Marietta and Rose Marie, she was entangled in the considerable charms and bed sheets of Nelson Eddy, right?

Weeee–eeellll……

So here’s the deal, in a nutshell. Marietta is a wonderful beginning. Sparks a’flyin’ every which way. By the time they’re done with that movie, they’re “a thing”. Nelson’s mom is a little dubious. Babygirl had quite the reputation for having some pretty busy drawers back in the day and may-or-may-not have been getting private summons to L.B.’s office for you-know-what even as Nelson was moving in. Hilarious that Isabel Eddy is put off by this, considering how much MORE wild her own son was! Luise Rainer was told by Mayer that, “Jeanette MacDonald sits on my lap when she signs a contract with me.” (And no, that’s not a rumor, I’ve seen the footage of those words coming out of her mouth.) So whether that’s true or not (the fact that Rainer reported it is true, I’m saying whether or not the actual action is true), Mr. Mayer had it pretty bad for our Redhead. So when she takes a liking to Nelson, whom Mayer does not particularly like…….well, Mayer decided he likes Nelson even less, basically. Anna MacDonald, Jeanette’s mom, doesn’t like Nelson either. She sees him as a threat. Funny, she never felt that way about Gene. Why? Because her daughter a) wasn’t passionately in love with Gene and b) Gene never tried to alter the course of her career. Nelson had opinions about what she did. You know, because he legit gave a damn. Anna perceived Nelson’s opinions + the fact that Jeanette was really into him as a direct threat to her own security.

So after Marietta wraps, Nelson and Jeanette continue to date and, reportedly, he got pissed because she went out dancing without him–even though he hated to go out–and he saw her picture in the paper at some nightclub and they had a fight about it. Both of them were a lot immature back then. He was probably worse, but she was no picnic. He was jealous and on the possessive side of annoying. So they have a fight about it over at his and his mom’s house (who, by this point, has seen enough of Jeanette that she has decided she loves her and that feeling lasted the rest of Isabel’s life. The two became very close.) she politely excuses herself and beats it. Nelson stomps upstairs in a huff, Jeanette follows him to continue fighting (one of those “last word” types, I imagine she was) and, welp, whaddya know, at long last, the relationship is consummated. It was rough and Jeanette’s shirt got torn. Nelson, horrified at himself for having been something of a brute, is freaking out with remorse. She’s trying to get dressed. Her shirt is torn and she needs an alternate plan for clothing and….oh, hey, round two. She, of course, told her sister Blossom all this later, and intimates that, list of conquests or not, she “lost control” for the first time with Nelson. And the crowd cheers.

But then things hit a snag, because Nelson wants to get married. He wants Jeanette to quit movies and raise a family and follow him around on concert tours. She thinks that is a pile of steaming BS and tells him so. So, at an impasse, they sort of break up. That’s when she met Gene. So she really is just hanging around with Gene, dating him casually, while being unable to resist Nelson when he comes sweeping in with renewed efforts around August of ’35. So they resume and leave to go shoot Rose Marie on location at Lake Tahoe. Here’s a couple of pictures of them dating around this time:

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They went to see Maytime on stage (the film version of which was soon to be theirs) and this picture was taken backstage with the leading lady.

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See his arm around her? See her perfectly RIDICULOUS grin? See his??

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Definitely dating. So all you people who say they were NEVER romantically involved—adios! She even says that in the squeaky clean, severely edited, mostly-only-useful-for-her-handwritten-notes autobiography manuscript. She alludes to “whatever attraction Nelson and I may have had for each other” (does NOT deny it) and mentions dating him.

Okay so off to Lake Tahoe they trot, romance rekindled. Jeanette is, even for her, unusually barfy on the curvy roads, but just attributes it to the curvy roads and change in altitude. They have a blissful time there, love in Indian Summer, if you will, and everything’s grand. Her sometimes boyfriend/financial adviser/old flame Bob Ritchie came up to Tahoe to visit and even brought her a puppy (the way to Jeanette’s heart: cake, ice cream and puppies) and she basically told him, “Thanks for the puppy. Bye!” So that relationship, which began in her New York days, was done. Here’s a candid shot of her on Lake Tahoe with Nelson. Please do not miss the way he is looking at her:

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She had, back in LA, spotted an emerald ring that she loved, and Nelson, hoping for a better result the next time he brought up marriage, had reportedly spent $40,000.00 in 1935, making that rock his. In today’s money, that ring cost him $700,211.31. You might say the boy was serious. Up in the pines and sparkling waters of Tahoe, he tries again. She says yes. Here’s the rock:

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And then things become, as they UNFAILINGLY DO WITH THESE PEOPLE, mucho complicado.

Jeanette is pregnant. Nelson finds this new development utterly thrilling. They’ll sneak off and elope and that’ll be that.

Oh, guys, if only. If only. (Although, really, it is my belief that if they had married then, the relationship would not have lasted. I think they needed to go through some of these tougher times to realize really how much they loved each other. I think, had they married in 1940-42 or even later, it would have been until death. They needed to grow up and realize how important they were to each other. They hadn’t done that quite yet in 1935, I don’t think.)

Jeanette, being the good little employee that she is and not having it in her to totally a) rebel (she was sassy, for sure, but by and large she was a pretty law-abiding citizen) and b) throw very personal cold water in Mayer’s face, decided she had to call the studio and talk to Mayer. Understand that back then, in long term contracts, you had to have studio approval to marry, divorce or have a child. So she was trying to play this by the rules. Nelson’s idea that it’s better to seek forgiveness than ask permission was a far better one, in this case.

Mayer says absolutely no on all fronts. Are we shocked? No marriage, and “get rid of the problem” ASAP.

She doesn’t want an abortion, but she doesn’t know what to do. She tells Nelson, he flips because she called Mayer behind his back, they have a huge fight, he stomps off, and poor Jeanette miscarries (she had a heart condition which made miscarriage exponentially more likely–something to be explored in a future post). She got in touch with her sister, Blossom, who went to Tahoe to be with her. Nelson doesn’t believe that she miscarried, he’s being a stubborn jackass at this point and accuses her of having an abortion and lying about it to him. They are done, done, done. For a few minutes, anyway. Blossom dropped everything and came to be with baby sister as she tried to get over her miscarriage and breakup and while she was there, she took this photo of Jeanette, wearing her glasses that she needed in private life and playing checkers with Jimmy Stewart, who had a supporting role in the movie.

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Back in Hollywood, Nelson has cooled down and taken a walk and they try to talk it out and apparently spend the weekend together alternately committing mental suicide over their differences and screwing. They shot the finale, which, if you inspect it, has a real air of tenderness and poignancy to it—Jeanette’s face especially, kissing Nelson’s hand, holding it against her face… They’re stupid for each other, but they can’t get it together.

Jeanette needs a pal. She needs somebody to hang around with, to keep her company, to take her places and try to breathe some sense of fun back into her life. Gene is just that guy. He’s cute, he’s not too threatening, he’s not too demanding, he thinks whatever she wants to do with her life and career is fine, he doesn’t form strong opinions…in short, at that time in her life, he was just what the doctor ordered. Mayer, by the by, is thrilled with this. Nelson is out and the pretty damn effeminate Raymond is in. Good. There are rumors all over about Gene’s tendencies, so this will hush those up and keep Nelson “away”, too. Can we please just take a gander at Gene Raymond around this time?

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….Darling.

So this goes on for a while and Jeanette suckers herself into believing that Gene has what it takes to make her happy. She says that he’s, “like Nelson, but without the rough edges.” Or any edges. I have never understood how anyone thinks the two men look alike, but there are people who think they do, and, indeed, they used to get mistaken for one another in public, which was very convenient for Nelson, I’m sure.

Gene proposed with a square-cut sapphire–not as thick or as grand as the emerald, but it’s still a very pretty ring. Here’s a picture (this is after they were married, you can see her wedding band as well):

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And here’s their official engagement picture. They…..aren’t even making eye contact. She’s looking to the left of his face. Jeanette’s face is very much the lights are on but there’s no one home.

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And that is where I leave you, in this first installment of this massive topic. There’s literally no way to cover all this in one blog post.

‘Til soon—